Top 10 Heaviest Metal Songs - Oasis Guitar (2023)

Most people agree that Black Sabbath was the first Heavy Metal.banda. And maybe they were. But that doesn't mean they were the first to write a heavy metal song.

Because while Ozzy and company took the concept of intense, sinister music played by ugly guys to new sonic and visual heights, there were plenty of haunting sounds designed to terrify listeners long before Tony Iommi's deadly Black Sabbath tritone riff signaled the end (or the end). beginning?) of the musical world as we know it.

(Video) Oasis: Top 10 Guitar Riffs

These are the 10 heavy metal songs

The Wild Thing Trogg (1966)

Wild Thing was first recorded on a FolkyApplicationby American formation The Wild Ones in 1965, but in the hands of British heavy metal band The Troggs the following year, it morphed into a proto-garage punk rave-up with a three-chord pattern, hypersexualised, thundering vocals. . and, well, just ocarina.

From Jimi Hendrix's wild rendition of the song (literally setting his Stratocaster on fire at the climax) at the 1968 Monterey Pop Festival, to the punk renditions of The Runaways and X, to Bruce Springsteen's Live. interpretations, this version became the template for heavy metal to come.

This heavy metal song is so solid and the riff so catchy that even comedian Sam Kinison's dirty hair metal parody couldn't undo it, not exactly.

Also read about50 easy songs for acoustic guitar.

Helter Skelter dos Beatles (1968)

In keeping with lore, Paul McCartney was inspired to write Helter Skelter after reading an interview in which Pete Townshend called his own band's I Can See for Miles the "filthiest, dirtiest" song they ever produced.

The song's distorted, dissonant guitars, booming bass, and ripped vocals not only overshadow Pete, but also herald and inspire decades of heaviness to come.

Since then, everyone from Mötley Crüe to Rob Zombie to Marilyn Manson (and, of course, Manson's namesake Charles) has used it. Plus, the Beatles' alternate recording of Second Version/Take 17, discovered to coincide with the release of the 50th Anniversary White Album, is an even wilder ride. "Keep it up," says Paul on the track. "Mark this awesome." You must pay attention to what the man says.

Miscommunication in Led Zeppelin (1969)

To be honest, any number of songs - Whole Lotta Love, Dazed and Confused - could fill Zeppelin's spot on this list. But the award for sheer heart-wrenching intensity goes to Communication Breakdown, whose potent heavy metal riff not only provided a template for a billion speed metal bands to come, but sounds eerily similar to what Sabbath created for Paranoid a. year later.

While the Zep weren't the only group of the late '60s to take the blues into a darker world, they did it better and faster than their competitors with this track.

Out with the MC5 Jams (1969)

Rob Tyner's opening salvo of "Knock out the jams, motherfuckers!" just add this proto-punk anthem to the list. It helps that what follows doesn't tiptoe past the tulips.

Instead, it's two and a half minutes of the most furious, soulful electroshock riffs and solos ever recorded on tape, courtesy of Wayne Kramer and Fred "Sonic" Smith. This vulgarity led to the album (recorded live at Detroit's Grande Ballroom) being banned and withdrawn from stores. What could be more metallic than that?

Born to Be Wild von Steppenwolf (1968)

It wasn't the first time the term "heavier metal" had been used, but for most music fans, that's where the term originated. Also, singer John Kay follows it up with the word "Donner", adding to the evil factor.

That said, the title's chorus itself is pretty heavy metal, and while Steppenwolf was never particularly "heavy", this song combined it all with a deep E-string riff, raspy vocals and screams. -chor chorus, heralding the kind of street rocker that would lead bands like Judas Priest and Motörhead to fame years later.

Voodoo Child (Slight Return) de The Jimi Hendrix Experience (1968)

Jimi is a huge and crushing heavy metalriffsand leaden howls seem to fall from the sky, leaving nothing but a charred desert.

The sheer sonic energy of the song is startling and shows early on how far a rock musician can take the blues, which is what Black Sabbath wanted to achieve in one way or another with their First Days album.

I Wanna Be Your Dog from The Stooges (1969)

Even now, more than half a century later, I Wanna Be Your Dog feels incredibly difficult, mean, and downright dangerous.

The song is a big hum, dirge and death rumble that encapsulates Iggy's insane approach to the blues, from the dark descending chord progression to the guitar playing of Ron Asheton (once referenced along with his brother and drummer Scott by Stooge - Chef Iggy Pop as "Laziest, Delinquent Bastard Ever Born").

And the lewd lyrics, monotone piano trill, and, uh, sleigh bells only add to the absurdity.

In-A-Gadda-Da-Vida - Iron Butterfly (1968)

People often make fun of In-A-Gadda-Da-Vida, but as any heavy metal band with their long hair, leather, and pointy guitars will tell you, people tend to make fun of what they don't understand. .

Forget about the superfluous 17 minutes of running time. Forget that the title is a drunken parody of In the Garden of Eden. Forget the band that plays is called Iron Butterfly. The combination of heavy metal guitar/organ riffs is as dark, menacing and downright groovy as any set by Deep Purple, Uriah Heep or any other keyboard-soaked heavy group. Still not convinced? Then just ask Slayer, who did a remarkable version of the 1987 Less Than Zero soundtrack.

Alraunenwurzel - Deep Purple (1968)

The first half of this Deep Purple epic is quite strong, at least in the vein of late-'60s British blues-rock. But Mandrake Root really takes off midway through the instrumental section when drummer Ian Paice and bassist Nick Simper pick up the pace. and Ritchie Blackmore sets the stage to end the proceedings with some psychometal licks, growls and howls. as well as a little neoclassical flair for good measure.

What was his weight? Heavy enough to be one of the first purple cuts played by the famous 1970s heavy metal band MkII. And if you can find one on YouTube, these covers are a gorgeous, over-the-top sight.

Old Man Who Goes By Pretty Things (1968)

First 40 seconds of acoustic jingle onoldMan Going sounds like Pinball Wizard before Pinball Wizard (and the concept album it comes from, S.F. Sorrow, has been credited as an influence on The Who's Tommy, though The Who disagrees).

But after that, Old Man Going blossoms with proto-Sabathian beauty, particularly in Dick Taylor's doom-chord riffs and, more importantly, Phil May's voice, which any listener would have been quick to describe as incredibly Ozzy on its 1968 release. , except that Ozzy, at least as we know him, didn't exist yet.